'Real' Reel Poetry: Examining Co-Digital Motherhood Communities Through Reel Instapoetry

Citation

Knox J (2024) 'Real' Reel Poetry: Examining Co-Digital Motherhood Communities Through Reel Instapoetry. New Review of Hypermedia and Multimedia, 30 (1-2), pp. 59-93. https://doi.org/10.1080/13614568.2024.2369516

Abstract
The original wave of Instapoetry, typically recognised by its typewritten font and generic axioms, was instantly divisive, with some decrying its linguistic simplicity as banal and others praising this same trait for its universal accessibility. Regardless of their controversial reception, however, the incessant production of today’s digital economy has required Instapoets to continuously adapt to their shifting environment. While a few Instapoet-influencers may have achieved true celebrity status, removing their original online posts and transcending to solely print publications, most Instapoets have continued to evolve with the platform in their practices for creating, managing, and presenting content. Surprisingly, however, such entrepreneurial adaptation does not necessarily contribute to disassociated intimate publics, where users are only vaguely connected by a loose exchange of likes. As evidenced by this case study on motherhood Instapoets, marginalised voices may sometimes build niche counterpublics where individuals mutually support each other for the good of the entire gift economy. Certain new hypertextual features, such as reels, not only contribute to increasing interpersonal user connections but even encourage more fluid co-digital collaborations. This survey particularly notes how content creators and consumers tag, share, and adapt reels to mutually strengthen the overarching motherhood Instapoetry community.

Keywords
Instapoetry; Instagram; microcelebrity; counterpublic; motherhood; digital community; reels; gift economy

Journal
New Review of Hypermedia and Multimedia: Volume 30, Issue 1-2

• Published Version